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Laurence Olivier's stardom is intimately tied to his status as the last of the great Shakespeare actor-managers, men for whom stardom was the capital that allowed them to lease theaters and keep together acting companies whose activities centered on, though they were seldom exclusively devoted to, Shakespeare's plays. Page 5. It is.. The filmed performance becomes a re-creation of a theatrical original. Co pyrigh t 0 Warner Bros.
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Taya nae untaetae: Brook would no doubt argue that the opening is dispensable and that information it contains can be presented in other ways and that he can more clearly stress his nihilistic interpretation of Lear by having the first word spoken by Lear be "no.
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The screenplay is available in the Classic Film Script series:
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- Much the same could be said of Orson Welles's Macbeth.
- Even with Macbeth, Welles went out of his way to make the character less appealing than he is in Shakespeare's play.
- Russell Jackson notes that Branagh's Much Ado about Nothing includes both a "pre- prologue" "Sigh No More" and a "delayed prologue" the credit sequence.